Відео

This is an amazing John Power composition which he sang initially with the La’s and later with his band Cast. Lee Mavers, lead singer and composer for the La’s, resented John Power’s growth as a musician and even refused to sing back up vocals. This, and Maver’s impossible standards, contributed to John’s quitting and the La’s demise.

1974 was the best version of the E Street Band. Drummer, Ernest Boom Carter, would solo like Buddy Rich in Rosalita, David Sancious' piano intro to New York City Serenade was mesmerizing. The material was obviously influenced by Sancious, so the music was more involved and creative. Jazzier.The band was salt & pepper, three dark skinned boys and three white boys. Truly a potent mixture. Listen to Boom Carter's high-hat work during this performance. Those truly were the days. And then came Landau.....

Every time screwtube gives me the boot, i lose this song.....its almost criminal to deprive me of my playlists!😂😂😂😂. ❤ This song sooo much!

I was there ... Santa Monica peer .. early 90s..😊

Such a great song. Somebody make and release this albumn!!!🙏🏻

Tremenda banda

Oh God how much i love this live version way more than the studio version

THIS IS THE GREAT BOOM CARTER!

you guys know that groove is from major lance monkey time, right?

The theremin to match her corky aesthetic.

John Power is a God Lee is also and the other two brilliant that's the Las folk's

The La,s sure could La your Soul to a place that feels Good ! LongLive the La,s !

بی بی صنم جانم انار سیستانم در دروازه تاجقرغان جای صنم جان ام بند برگردان یا تَهلیل = Refrain یک بیت (عربی خانه ) فارسی باستان "لنگر" (ویش شعر= بخش ) که در یک آهنگ و سرود و شعر همیشه به گونه منظم تکرار می شود کسی حرف د ل ما را ندانست بهایی محفل ما را ندانست به جز طوفان کسی در شهر غربت نشان محفل ما را ندانست بند برگردان یا تَهلیل = Refrain دل نازک تر از اندیشه دارم هوای معتدل چون ریشه دارم همه گل های عالم گر ببخشدد تو در باغ خیالیم ریشه داری بند برگردان یا تَهلیل = Refrain لنگر ها یا ابیات متن باستانی آهنگ سرود بدین ترتیب است. و اما خونندگان کشور تازه بنیاد افغانستان (ستان غالمغال یا فغان) که نه کانون حقوقی و قانونی ارزش کار و زحمات فرهنگی صاحب پدیدآورندگان آثار ادبی یا هنری مالکیت فکری یا مالکیت اندیشه به حقوقی گفته می‌شود که به صاحبان آن حق بهره‌وری از اندیشه و خلاقیت را می‌دهد . حقوق پدیدآورندگان آثار ادبی یا هنری یا مالکیت ادبی و هنری معروف به حق مؤلف است. حق مؤلف باید احترم شود. با جز هنرمندان موسیقی حرفه ای این حقوق و قانون مالکیت پدیدآورندگان آثار ادبی یا هنری را مد نظر گرفته و مراعات می کنند. به گونه نمونه . به جای "دروازه تاجقرغان " (اصل ) "دروازه کابل" و "دروازه قندهار" اصلیت و صلابت شعر باستانی مراعات نه می شود . افغانستان کشور نیست که در آن قانون حکم فرما باشد بلکه حاکم قدرت دارد. وحید قاسمی و سیتا قاسمی ارزش کار و زحمات فرهنگی صاحب پدیدآورندگان آثار ادبی یا هنری مالکیت فکری یا مالکیت اندیشه شخصیت های خلاق و هنری موسیقی بوم هند وایران و توران را احترام میکنند از احترام میکنند .

Never new the la's played this back in the day. Made me catch my breath. Best version by a mile, raw & soulful.

Johns voice is brilliant on this

Possibly one of the best live tracks I've ever heard.

Three singing harmonies, beautiful! 👏🏻👏🏻👏🏻

Lee said second album should be out soon.... stay tuned...

Little did the audience know that they were hearing a song from the britpop era some 4 or 5 years after this, some weird time travelling funky stuff going on there...

Lee mavers all the way so talented is voice great remember the have one 🎤 wow

OoooooMMMMMMMGGGGGGGGg this is BEAUTIFUL!!!! Wooooooow!!! My SPRINGSTEEN!!!!

The best vocalist and song writer of his generation.x

Seen these fellers at separate times in their lives wanting to perfom livr and each of them from whatever perspective are life affirming :)

Cracking harmonies on Big Black Car 😎🏍

Some unexpected harmonies, not all of which are harmonic. As others have said, it’s really tough to get levels in a set-up like this. Still wonderful to hear yet more versions.

Legendary upload. THANK YOU!!!

Bas Peshawar ki burai Karni thi

Yeh bhi Acha hai Kabhi kehte hai ke aik hai lekin tareef Afghanistan ke shehron ki karain ge

Why was Mavers such a prick and always insisted on playing acoustic guitar?...could have had a much bigger and better sound.

How can anyone dislike this ...😎

Is the drummer, like, really really far away??

How old is Chris in this. He's had some career that guy

Not even been 30 years.

Sound

Lee's like "just been looking for that sound " sadly he's still looking or give up ,love the las the riffs and gear they used songs ect

mb

mb

الهی زنده سلامت باشیم استاد عزیز آقای آرمان صاحب چه صدای خوب دل نشین داریم 👍💐

beautiful. but haunting that I'm listening to a recording more than 30 years ago.. It's just freaky to think about, and lonely.

That was awesome! You can really hear how good Lee's voice is.

John is a pretty amazing Rythem Guitarist.... Like someone has already said this was a bit of a goodbye though.... Last words on the album "The change is Cast"

P E R F E C T

Brilliant

Brilliant

Didn't know La's did this ,shows how much I know

The Sonder_uk New Liverpool band recently released their second EP this year called "Into the light","Beneath the dust"being released back in February.Take a listen see what you think.

Biblical

I think this raw version is better than the produced cast version (that's good too) Miss the Las YNWA

It ended up in effect more or less a goodbye to The La's song par excellence from John Power's increasingly mighty songwriting hand. The lyrics display hurt. He was having to play nearly the same 12 songs on tour for 5 years. Very, very, fine songs but how curiously narrow it might have felt. Even though The La's in their entirety wrote about 60 or more known songs in total.

This is so brilliant to hear...totally effortless and beautiful, the music just flows out of them, it's so pure. Doledrum sounds great as well here, a bit slower, really grooves so good. Find it interesting that Lee introduces 'I Can't Sleep' as 'Big Black Car'…must have been changed by the record company when the album came out...him calling it 'Big Black Car' changes the way I think about that song, like 'Big Yellow Taxi' on acid...makes it feel even darker, raises the stakes, you know what I mean?